Page 117 - ELEMENTS EUROPA (EN)
P. 117

ELEMENTS EUROPA                                                     FRONT SCENE AND BEHIND THE SCENE  113

printing introduces a range of shades of grey to darken certain     damaged surface, regardless of how damaged it was, in an
tones. When the first printing attempt of a predominantly red       almost identical colour to the tone initially printed, the outlines
door was presented, somebody asked me: “What needs to               of painted surfaces being clear and dribble-free guaranteed –
be changed to maximise the result?” and my answer was “to           these interventions would be under control4.
force distinction between close neighbouring values”. This was
operated on the occasion of the second attempt, probably            NOTES
at the cost of increasing the quantity of allocated pigments
per tone and therefore increasing the printing time too – 41        1 - Ceilings:
minutes per proof. I was satisfied with the set doors, with the     Felt production and dye: Filzfabrik Fulda GmbH & Co KG, Frankfurter Strasse 62,
printing as much as with my collaboration with the personnel        36043 Fulda, Germany.
in all three companies, which helped with that achievement.         Installation: Servio N.V. Brugsesteenweg 545, B - 8800 Roeselare.
Staff members of all three companies involved showed a keen         2 - Carpets:
interest in and respect for my work3. Pictograms still had to be    Production: Golden Halicilik, A0SB 1002 SOKAK NO 17 35620 Cigli-Izmir, Turkey.
applied to the door – white over standard red for predominantly     Representative in Belgium: Albert Daubechies - Decortex c/o m daubechies sprl,
red doors and over green for predominantly green ones? I            Av. Franklin Roosevelt 242, B -1050 Brussels.
suggested blue for red doors and red for green doors. Better        3 - Doors:
have clear tone contrast rather than poor harmonisation!            Johnny Maris and Yorick Muller – production of digital prints on high pressure
                                                                    laminate (HPL).
  The atmosphere round the eight lift shafts for delegations        Abet Laminati S.p.A. Viale Industria 21, Casella Postale 47, 12042 Brescia,
and 6 VIP lifts was less serene. Pasting translucent films over     Italy / Abet nv, Streekbaan 244, B-1800 Vilvoorde, Belgium.
the lift cabin glass walls lit inside out was the initial idea for  Dries Vercauteren – production of interior doors – De Coene Products nv,
the project. The architect preferred to have the lift shaft walls   Europalaan 135, B-8560 Gullegem, Belgium.
covered with printed panels. The service provider imagined that     Koen Luyckx – coordination of digital prints, production door frames
each one of the one thousand four hundred panels planned to         and installation of interior doors.
carry out my compositions would be monochromic and that             A.T.A. bvba, Hoge Mauw 820, B-2370 Arendonk, Belgium.
there would not be any need for anything else but choosing a        4 - Lift shafts:
certain number of colours and defining their distribution. The      Francis Beaudet – project coordinator for ThyssenKrupp Ascenseurs,
smallest panels show three to five figures/colours of various       Avenue de la Métrologie 10, B-1130 Brussels, Belgium.
dimensions and the largest thirty or so. My digital compositions    Sylvie Raedschelders – panel printing by Publisor, Industrieterrein Jagersborg 1343,
were executed with a drawing-and-photo processor software,          B-3680 Maaseik, Belgium.
which reduces the number of successive gestures necessary for       Panel assembly by Brussel et Sanpa, Witbeekweg 9, B-3680 Maaseik, Belgium.
defining a shape and a tint as much as possible. The printer tried
to impose a different one. My frescoes for Philippe Samyn in        Extract from the colour chart for the ceiling felt.
the AGC European head office in Louvain-la-Neuve had already
been printed in much finer formats without having caused
any insurmountable problems. 72 dpi files in 1/1 scale of the
2.500 m2 shafts flashed on my computer screen panel by panel
enlarged 500 times to make cutting and assembly specifications
with relevant precision then in real dimensions to clean up all
imperfections resulting from unavoidable tone corrections
from coloured fields. It took two successive companies to
finish panel assembly in the shafts. I came round to agreeing
to a restoration procedure for defaults or damages spotted on
assembled panels. The idea would be to spray paint the entire
   112   113   114   115   116   117   118   119   120   121   122